Shot By Niki Gleoudi

May 12, 2022
1 min read

Hi, I’m Niki Gleoudi. I was born and raised in Greece. 

When was your first picture taken?

I remember the first picture I took ever, it was with a Kodak Instamatic camera and I was around eight years old. My parents were posing holding each other and my father was explaining how to press the red button.  That’s when I took the picture, while he was explaining and hugging my mother.  

How do you put the person, place, or thing  in front of the camera onto  film, chip, or paper  the way you want it to?

It depends on the situation.  If it’s a portrait I usually take the picture quite close and pretty much straight forward. If it’s a candid moment it’s harder to explain. Rules do not apply as everything happens so fast. Of course frame, composition and light play are very important.  

What photographers have influenced you, and how have they influenced the way you approach your subject? 

In the past I never studied other photographers. I just enjoyed taking pictures and mostly street photography.  One teacher in college loved Bruce Davidson and I shared the admiration. 

The last ten years I took some workshops and started looking at other photographers work.  

David Allan Harvey influenced me in taking pictures with my soul, and Alex Web and Costa Manos in the use of color and light. Bruce Gilden influenced me in daring to be closer to my subjects. 

What exactly do you want to say with your photos, and how do you make your photos do that?

In my attempt to capture the moment I realized that I focus on the human condition of my subjects  Relationships, emotions, expressions, people being able to “let go” of everyday stress, or not.  This can either be depicted in a portrait, or by using streetcandid photography, where more random factors take place. The challenge there is to freeze the fleeting moment that would otherwise vanish unnoticed, while trying to portray the underlying energy.  

I try to do this through the use of colors and light

What photographic gears do you use to stay focused on what you do best when shooting?

The only thing I have with me is my camera and an extra Battery.  Sometimes I carry a waterproof string bang, a raincoat and a hat.  

Any technology/software/hardware?

I use Lightroom and I have a Mac book pro 

What motivates you to continue taking pictures? Is it political, intellectual or emotional?

Emotional. I love the feeling I have when shooting, and especially when I understand I got a good shot! I also like the feeling of being able to “freeze the moment”, helping me remember in the future, and even for the next generation.  

Instagram

Our Newsletter

Sign up to receive awesome content in your inbox, every month.

(Visited 5,779 times)
Previous Story

Shot By Patrick Stevens

Next Story

Shot By Jean-Philippe Lebée

Latest from Blog

Shot By Hugh Kretschmer

Hugh Kretschmer, a Los Angeles native, grew up in a family of artists. Influenced by his father’s photography skills and his mother’s knowledge of early 20th-century art, Hugh developed a unique approach to visual problem-solving. He earned a BFA from the Art Center College of Design and later moved to

Open Call: Interpubliq Magazine Invites Street Photographers

Street photography is more than just an art form—it’s a visual dialogue with the world around us. It’s about capturing fleeting moments, spontaneous interactions, and the raw energy of urban life. Whether it’s a quiet, introspective scene or the chaos of a bustling city, street photography tells stories that might

Shot By Alexandra Chrysohoidis

Alexandra Chrysohoidis is a Greek-American photographer and visual artist based in Los Angeles, CA. With a BFA in Photography from Parsons The New School for Design, her background is design and concept based. You started photography as a way to capture your surroundings, especially people. How has your approach to

Monochrome Narratives: Stories in Shades

We are excited to announce the release of Interpubliq’s special black-and-white edition, “Monochrome Narratives: Stories in Shades.” This issue takes you on a journey into the rich world of monochrome photography, where light and shadow tell stories that transcend time, place, and genre. This edition is a celebration of the

Shot by ELLEN FRIEDLANDER

Ellen Friedlander is a Los Angeles-based artist who uses a variety of in-camera and post processing techniques in her practice. Friedlander is Co-Director of Pasadena Photography Arts, which promotes diverse projects by established and emerging photographers worldwide. She has exhibited internationally, and has been featured in Lenscratch, The Candid Frame
GoUp